About this pattern
William Morris designed Snakeshead in 1876 as a block-printed cotton, and by January 1877 the dyer Thomas Wardle was already printing trials of it. The name comes from the snake's head fritillary, a checkered spring flower that stands in rows through the repeat. The V&A suggests Morris drew in part on Indian palampores, the painted and dyed chintz hangings. An original length is in the V&A (T.37-1919).
Here coral and cream fritillaries rise in mirrored pairs from sage leafwork, with dusty pink buds and small trellis diamonds on a rich teal-green ground. The green is so dominant that the coral flowers flicker like embers in a hedge. That depth makes a home office feel enclosed and focused. In a dining room that looks onto the garden it extends the view inside, and in a snug lined with books it sits well with worn spines and a reading lamp.
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